Chapter Introduction People Between Multiplied Things and Modified Images

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Tác giả: Magdalena Herman, Grażyna Jurkowlaniec

Ngôn ngữ: eng

ISBN-13: 978-0367539405

ISBN-13: 978-1003029199

Ký hiệu phân loại: 769.9031 Historical, geographic, persons treatment of printmaking and prints

Thông tin xuất bản: New York ; London : Taylor & Francis, 2020

Mô tả vật lý: 1 electronic resource (24 p.)

Bộ sưu tập: Tài liệu truy cập mở

ID: 223411

 Printed images were, on one hand, material objects produced, owned or variously transformed by humans, but on the other hand, they were immaterial representations, conceived and variously received by humans as well. Certainly, such a complex relationship among things, people and images is not an exclusive feature of the premodern periods print cultures. However, the rise of printmaking challenged some established rules in the arts and visual realms. Three short insights may exemplify this rise of printmaking. The first insight s point of departure comprises material objects related to Lucas Cranach the Elders early Crucifixion
  the second insight offers a human perspective, starting with Christophe Plantins working practices
  and the third insight is a short story that emphasises the ambiguities surrounding what printed images represent, as epitomised by early modern depictions of wisent, a species related to the North American bison, but often confused with the Eastern European aurochs.
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