This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and point to new phenomena which have been exposed by film directors. They present essays on, among others, Basque cinema
gendered controversies in post-communist small cinemas in Slovakia and Czech Republic
ethnic stereotypes in the works of Polish filmmakers
stereotypical representation of women in Japanese avant-garde
post-communist political myths in Hungary
the separatist movements of Catalonia
people in diasporas and during migrations. In view of these timely topics, the book touches on the most serious social and political problems. The films discussed provide an excellent platform for enhancing debates on politics, gender, migration and new aesthetics in cinema at departments of history, sociology, literature and film.