THE ARTISTIC CONCEPT OF THE ARTIST IN ORHAN PAMUK'S MY NAME IS RED AND IRVING STONE'S LUST FOR LIFE: A COMPARATIVE PERSPECTIVE=THE ARTISTIC CONCEPT OF THE ARTIST IN ORHAN PAMUK'S MY NAME IS RED AND IRVING STONE'S LUST FOR LIFE: A COMPARATIVE PERSPECTIVE

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Tác giả: Hong Nho Nguyen, Thi Hong Hanh Nguyen

Ngôn ngữ: eng

Ký hiệu phân loại:

Thông tin xuất bản: Tạp chí Khoa học - Trường Đại học Sư phạm Hà Nội: Khoa học Xã hội, 2024

Mô tả vật lý: tr.18

Bộ sưu tập: Metadata

ID: 246690

The artistic conception of the artist figure in Orhan Pamuk's novel My Name isRed and Irving Stone's novel Lust for Life reveals numerous points of convergence. Based onthe identification of common characteristics of artists, both authors uncover the exceptionalprominence of these qualities, reflected in their portrayal of the artist as possessingextraordinary attributes, experiencing moments of transcendence during the creative process,and embodying the dual tragedy of the individual and their era. Beyond these similarities, thetwo authors also exhibit distinctive and unique approaches in employing artistic techniquesto convey their conception of the artist. This is evident in their handling of spatialconstruction, temporal structuring, and narrative techniques. This article will focus onelucidating the parallels and distinctions in the two authors' perspectives on the artist asexpressed in their works, which belong to two distinct literary traditionsThe artistic conception of the artist figure in Orhan Pamuk's novel My Name isRed and Irving Stone's novel Lust for Life reveals numerous points of convergence. Based onthe identification of common characteristics of artists, both authors uncover the exceptionalprominence of these qualities, reflected in their portrayal of the artist as possessingextraordinary attributes, experiencing moments of transcendence during the creative process,and embodying the dual tragedy of the individual and their era. Beyond these similarities, thetwo authors also exhibit distinctive and unique approaches in employing artistic techniquesto convey their conception of the artist. This is evident in their handling of spatialconstruction, temporal structuring, and narrative techniques. This article will focus onelucidating the parallels and distinctions in the two authors' perspectives on the artist asexpressed in their works, which belong to two distinct literary traditions
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