Humour and Irony in Dutch Post-war Fiction Film

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Tác giả: Peter Verstraten

Ngôn ngữ: eng

ISBN-13: 978-9048528370

ISBN-13: 978-9089649430

Ký hiệu phân loại: 791.4309492 Motion pictures, radio, television

Thông tin xuất bản: Amsterdam : Amsterdam University Press, 2016

Mô tả vật lý:

Bộ sưu tập: Tài liệu truy cập mở

ID: 248579

 If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, towards which Dutch people have often felt ambivalent. At the same time, something like a 'Hollandse school', a term first coined in the 1980s, has manifested itself more firmly, with the work of Alex van Warmerdam, pervaded in deadpan irony as its biggest eye-catcher. Using seminal theories of humor and irony as an angle, this study scrutinizes a great number of Dutch films on the basis of categories such as low-class comedies
  neurotic romances
  deliberate camp
  cosmic irony, or grotesque satire. Hence, Humour and Irony in Dutch Post-war Fiction Film makes surprising connections between films from various decades: Flodder and New Kids Turbo
  Spetters and Simon
  Rent a Friend and Ober
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