The study centers on the presentation of the North American borderlands in the works of Canadian Native writer Thomas King's <
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Truth & Bright Water <
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(1999), American writer Howard Frank Mosher's <
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On Kingdom Mountain <
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(2007), and American writer Jim Lynch's <
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Border Songs <
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(2009). The three authors describe the peoples and places in the northeastern, middle and northwestern border regions of the USA and Canada. The novels address important border-oriented aspects such as indigeneity, the borderlands as historic territory and as utopian space, border crossing and transcendence, post-9/11 security issues, social interaction along the border, and gender specifics. The interpretation also examines the meaning of border imaginaries, border conceptualizations, and the theme of resistance and subversion.