Marriage and its representations in Classical Hollywood Comedy (1934-1945). Stanley Cavell, the concept of skepticism and Kierkegaard's legacy : Marriage and its representations in Classical Hollywood Comedy (1934-1945)

 0 Người đánh giá. Xếp hạng trung bình 0

Tác giả: Toufic Ishaya El-Khoury

Ngôn ngữ: eng

Ký hiệu phân loại:

Thông tin xuất bản: Schüren Verlag, 2018

Mô tả vật lý: 1 electronic resource (23-38 p.)

Bộ sưu tập: Tài liệu truy cập mở

ID: 250331

This article explores the questions of marriage and divorce as discussed by Stanley Cavell in his study of Classical Hollywood comedies, dubbing what he considered as a popular subgenre of the American comedy of the thirties and forties: the "comedy of remarriage". We will focus on Cavell's analysis of a series of films, and the way these comedies belong to a specific American school of thought, with a case study of The Awful Truth (Leo McCarey, US 1937). We will then try to identify, in Cavell's original approach of marriage and divorce in the light of his discussion of philosophical skepticism, traces of Kierkegaard's moral legacy, by way of Wittgenstein's influence on the American thinker.
Tạo bộ sưu tập với mã QR

THƯ VIỆN - TRƯỜNG ĐẠI HỌC CÔNG NGHỆ TP.HCM

ĐT: (028) 71010608 | Email: tt.thuvien@hutech.edu.vn

Copyright @2024 THƯ VIỆN HUTECH