Bút pháp miêu tả nhân vật trong tiểu thuyết viết về miền núi từ sau đổi mới

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Tác giả: Thị Tú Uyên Điêu

Ngôn ngữ: vie

Ký hiệu phân loại:

Thông tin xuất bản: Tạp chí Nghiên cứu Dân tộc, 2022

Mô tả vật lý: tr.116-120

Bộ sưu tập: Metadata

ID: 338368

Thêm vào giỏ Liên kết toàn văn

A character “is a specific person depicted in a literary work”. Characters have a special important role, determining the success of the work. The basic function of literary characters is to generalize human personality, lead readers into different environments of life and express the writer’s artistic conception and aesthetic ideals about people. Any literary genre has the participation of literary characters. Characters in novels have characteristics that are different from those in other literary genres. In traditional novels, characters are often depicted in a process, going through life’s events. Many large-scale novels are a complete picture of the life and fate of one or more characters, from birth to death. In an effort to renovate the art of building novel characters, after Innovation, many writers have built character types with characteristics that are different from those of traditional novels. There are types of characters that are impersonal, non-psychological, characters that are made “thin” or characters that are just “shadows”, signs and symbols. The change in the method of character description has profoundly influenced the content of reflection and the thought depth of contemporary novels.Nhân vật “là con người cụ thể được miêu tả trong tác phẩm văn học”. Nhân vật có vai trò quan trọng đặc biệt, quyết định sự thành công của tác phẩm. Chức năng cơ bản của nhân vật văn học là khái quát tính cách con người, dẫn dắt độc giả vào các môi trường khác nhau của đời sống, thể hiện quan niệm nghệ thuật và lí tưởng thẩm mỹ của nhà văn về con người. Bất kì thể loại văn học nào cũng có sự tham gia của nhân vật văn học. Nhân vật trong tiểu thuyết có đặc điểm khác biệt với nhân vật trong các thể loại văn học khác. Trong tiểu thuyết truyền thống, nhân vật thường được miêu tả trong một quá trình, trải qua các biến cố, sự kiện của cuộc đời. Nhiều tiểu thuyết có quy mô lớn là một bức tranh hoàn chỉnh về cuộc đời, số phận của một hay nhiều nhân vật, từ khi sinh ra đến lúc chết. Trong nỗ lực đổi mới nghệ thuật xây dựng nhân vật tiểu thuyết, sau Đổi mới, nhiều nhà văn đã xây dựng những kiểu nhân vật có đặc điểm khác biệt với nhân vật tiểu thuyết truyền thống. Xuất hiện những kiểu nhân vật phi tính cách, phi tâm lí, nhân vật được làm cho “mỏng dẹt” hay nhân vật chỉ còn là “cái bóng”, là kí hiệu, biểu tượng. Sự thay đổi phương thức miêu tả nhân vật đã ảnh hưởng sâu sắc đến nội dung phản ánh và chiều sâu tư tưởng của tiểu thuyết đương đại.

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