ĐẶC TRƯNG CỦA DÒNG VĂN HỌC CHẤN THƯƠNG TRONG TIỂU THUYẾT LẠC LỐI VỀ CỦA HEINRICH BÖLL

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Tác giả: Thị Mỹ Linh Ôn

Ngôn ngữ: vie

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Thông tin xuất bản: Tạp chí Khoa học - Trường Đại học Sư phạm Hà Nội: Khoa học Xã hội, 2023

Mô tả vật lý: tr.172

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ID: 341829

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Nghiên cứu về Heinrich Böll và dòng văn học chấn thương là một vấn đề nghiên cứu mới, cho thấy diện mạo của một bộ phận văn học hậu chiến Đức thế kỉ XX. Tiểu thuyết Lạc lối về của Heinrich Böll xuất bản năm 1953 mang đặc trưng của dòng văn học chấn thương với kiểu nhân vật trung tâm là người lính trở về sau chiến tranh với những thương tổn về thể xác và những chấn thương không dễ hàn gắn về tinh thần. Fred Bogner trong Lạc lối về bước ra khỏi cuộc chiến với đầy ắp hồi ức đen tối, nỗi sợ hãi ám ảnh của những hình phạt thể xác con người áp dụng trong chiến tranh và trở thành người cáu bẳn, thô bạo. Fred dùng rượu và những cơn say để trốn chạy bóng đêm quá khứ, trốn chạy thực tại nghèo khổ mà gia đình mình đang phải vật lộn hàng ngày. Thông qua kết cấu mảnh vỡ với hai điểm nhìn trần thuật song song, đan xen, Heinrich Böll đã phản ánh những rạn nứt chấn thương của một thế hệ thời hậu chiến, cất lên tiếng chuông cảnh tỉnh nhân loại, truyền tải thông điệp về hàn gắn nỗi đau chiến tranh.The study of Heinrich Böll and the rubble literature is a new research problem, showing the characteristics of a part of the German post-war literature of the 20th century. Heinrich Böll's novel titled in German language And Never Said a Word (Und Sagte Kein Einziges Wort) published in 1953 has characteristics of rubble literature. The central character of novels belonging to the rubble literature is normally a soldier returning from the war with physical injuries and unhealable mental injuries. Fred Bogner, the Und Sagte Kein Einziges Wort’s main character left the war to come home show is full of dark memories, the haunting fear of corporal punishments that were popular in the war, and became an irritable, rough person. Fred uses alcohol and drunkenness to escape the darkness of the past and the reality of poverty that his family is facing day by day. In this novel, Heinrich Böll used a structure of fragmentation with two parallel, intertwined narrative perspectives and reflected the ruined fractures of a post-war generation, sounded the alarm to humanity, and conveyed the message of healing the pain of war.

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