Picturing Royal Charisma assesses how Middle Eastern leaders manipulated visuals to advance their rule from around 4500 BC to the 19th century AD. In nine fascinating narratives, it showcases the dynamics of long-lasting Middle Eastern traditions, dealing with the visualization of those who stood at the head of the social order. The contributions discuss: Mesopotamian kings who cast themselves as divine representatives in art
the relationships between the 'king of men' and 'king of beasts' - the lion
Akhenaten's visual conception of a divine king without hybrid attributes
the royal image as guiding movements of visitors in the palace of Nimrud
continuities in the functions and representation of Neo-Assyrian eunuchs that survived in the Achaemenid, Sasanian, Byzantine and Islamic courts
the triumphal arch of the emperor Titus and its reflections in Christian Constantinople
patterns of authority and royal legitimacy in 3rd century AD Palmyra and Rome
the use of the Biblical past in the construction of kingship in 12th century Crusader Jerusalem
and the use of 'the power of images' by Islamic rulers, adopting visuals of thrones and throne-rooms despite Islamic opposition to the figurative portrayal of kings.