During and after the debate between Art for art’ sakists and Art for life’sakists from 1935 to 1939, the critic Thieu Son and other critics and writers whoare influenced by European Romanticism were addressed as “aestheticist” and“bourgeoisie” for their praise of romantic literature. Recently, there have beenseveral studies which aim to clear these unfair receptions and return the properpositions to them in Vietnamese literature and criticism. Continuing these efforts,from the perspectives of discourse studies, this article will explain Thieu Son’sliterary conception from its relationship with the nineteenth century Romanticistsincerity in European literature