Like other social things, the rise and fall of Quyi also varies with the changes of the society. Some of the extinct forms of Quyi have left relatively rich documentary records, and we can trace their ups and downs today. Some leave very few data, only the faint trace in historical materials, waiting for someone to find out. This paper discusses three forms of Quyi—Buxi once popular in the Ming dynasty. The Romance of a Twig Hairpin, a famous play in the southern China, and the famous Quyi artist Yang Gong in the Ming dynasty faded in the long river of history, and people know nothing or very little about them. It will be helpful to understand the folk art forms of the Ming dynasty, the cultural exchange between China and foreign countries and to interpret the relevant literature.