Cái kì trong tiểu thuyết nho lâm ngoại sử của Ngô Kính Tử

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Tác giả: Sỹ Điền Lê

Ngôn ngữ: Vie

Ký hiệu phân loại: 809 History, description, critical appraisal of more than two literatures

Thông tin xuất bản: Tạp chí Khoa học và Công nghệ Đại học Thái Nguyên, 2020

Mô tả vật lý: 227-236

Bộ sưu tập: Metadata

ID: 396475

Thêm vào giỏ Liên kết toàn văn

Trong văn học cổ điển Trung Hoa, truyện có nội dung châm biếm không phải đến Nho lâm ngoại sử mới có, nhưng miêu tả sâu sắc đến vi diệu, nhẹ nhàng, kín đáo, tinh vi thì chỉ có Ngô Kính Tử mà thôi. Nho lâm ngoại sử luôn khiến người đọc say mê nhưng không phải là tác phẩm dễ hiểu khi tiếp cận, bởi nghệ thuật châm biếm cao siêu, tinh tế của nhà văn. Yếu tố kì ảo trong tiểu thuyết Nho lâm ngoại sử không chỉ thể hiện phong cách nghệ thuật độc đáo của nhà văn Ngô Kính Tử mà còn cho ta thấy kiểu tư duy riêng, cách "giải hiện thực" riêng qua cái nhìn mới mẻ đối với những vấn đề thời sự lúc bấy giờ. Bằng sự mẫn tiệp của một nhà nghệ sĩ và tầm tư tưởng thấu thị của một nhà tư tưởng, Ngô Kính Tử đã dũng cảm dùng cái "kì" như một lưỡi dao sắc bén và đa năng nhất để giải phẫu hiện thực cuộc sống. Trong phạm vi bài viết, chúng tôi sử dụng phương pháp phân tích, tổng hợp, hệ thống hóa những tài liệu tham khảo để giải mã yếu tố "kì" của Nho lâm ngoại sử không phải ở mặt nội dung của tác phẩm mà ở một địa hạt khác: "kì" có thể tồn tại trong hình thức hay nghệ thuật xây dựng và kiến tạo tác phẩm. Đó cũng là một trong nhiều cách tìm ra cái ma lực hấp dẫn người đọc trong suốt trường kì lịch sử văn học., Tóm tắt tiếng anh, In classical Chinese literature, the story with satirical content is not only available to Rú lín wài shǐ, but depicts deeply miraculously, gently, discreetly and delicately, only Wu Jing Zi. Rú lín wài shǐ always make readers fascinated, but they are not easily understandable works, because of the writer's sublime and delicate art of satire. The magic element in the novel Rú lín wài shǐ not only contributes to show the unique artistic style of writer Wu Jing Zi but also shows us his own thinking style, his own "realism" through new perspectives. With the diligence of an artist and the clairvoyance of a thinker, Wu Jing Zi bravely used the "fantastic" as the sharpest and most versatile blade to dissect life's reality. Within the scope of the article, we use the method of analyzing, synthesizing, and systematizing the references to decode the "fantastic" of the Rú lín wài shǐ not in the content of the work but in the domains: "fantastic" can exist in the form or art of building and constructing works. It was also one of the many ways to find the magic that attracts readers throughout the literary history.

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