Đặc trưng mĩ học cổ đại Nhật Bản nhìn từ tư tưởng mĩ học cổ điển Phương Đông

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Tác giả: Thị Mỹ Nhị Hoàng

Ngôn ngữ: Vie

Ký hiệu phân loại:

Thông tin xuất bản: Khoa học (Đại học Sư phạm Hà Nội) 2021

Mô tả vật lý: 29-35

Bộ sưu tập: Metadata

ID: 406371

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Chủ đề

Mĩ học Nhật hình thành từ rất sớm, có những nét đặc trưng riêng và trong mối quan hệ với tư tưởng phương Đông. Từ thời cổ đại, các quan niệm thẩm mĩ xuất hiện và luôn có vai trò quan trọng trong định hình phong cách sáng tác của người nghệ sĩ và đời sống văn hóa người Nhật, đặc biệt nở rộ trong văn hóa thời Heian. Mĩ học cổ đại đặt nền tảng vững chắc cho sự phát triển một hệ thống mĩ học Nhật Bản độc đáo và phong phú sau này. Bài báo tập trung làm rõ sự ảnh hưởng của triết học, tôn giáo và tư tưởng phương Đông cũng như sự tiếp biến tài tình của người Nhật để hình thành nên đặc điểm mĩ học riêng có của dân tộc. Ngoài ra, bài báo phân tích những đặc trưng cái đẹp biểu hiện qua đặc điểm như sự khuyết thiếu và dồn nén cảm xúc, gần gũi và cao xa, thiêng liêng và trần tục và số phận mong manh. Từ đó, phát hiện những mối quan hệ giữa mĩ học Nhật với nền mĩ học tiêu biểu như Trung Hoa và Ấn Độ. Kết quả nghiên cứu của công trình góp phần làm cơ sở để giải mã đặc tính văn hóa Nhật từ góc nhìn truyền thống, Tóm tắt tiếng anh, apanese aesthetics was formed very early, and had absorbed classical Oriental thought with its own speciality. Since ancient times, aesthetic concepts had appeared and always played an important role in shaping the Japanese artists' style of composition and Japanese cultural life, and particularly flourished in Heian period. These aesthetics norms had paved the way for the later development of a unique and rich Japanese aesthetic system. The paper aims to clarify the role of Oriental philosophy, religion and ideology, as well as the ingenious continuation of the Japanese in forming a unique aesthetics of the nation. Besides, the article analyzes the characteristics of beauty such as deficiencies and emotional suppression, intimacy and lofty, sacred and worldly, and fragile fate. Based on those analyses, the paper explains the relationships between Japanese aesthetics and other typical aesthetics such as China and India. The research results will be the theoretical basis contributing to deciphering the characteristics of Japanese culture viewing from a traditional perspective.

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