Death and (Re) Birth of J.S. Bach Reconsidering Musical Authorship and the Work-Concept

• Ngôn ngữ: eng
• ISBN-13: 978-0367732554
• ISBN-13: 978-0429504716
• ISBN-13: 978-0429997716
• ISBN-13: 978-0429997723
• ISBN-13: 978-1138586260
• Thông tin xuất bản: Taylor & Francis, 2019
• Mô tả vật lý: 1 online resource (159 p.)
• Bộ sưu tập: Tài liệu truy cập mở
• ID: 460399
• Chủ đề: 1. Matamoro; 2. Follow; 3. Bach's Music; 4. Authorship Markers; 5. Abbas Kiarostami; 6. Bach's Partita; 7. Baroque; 8. Tomás; 9. Held; 10. Contemporary Expansion; 11. Musical Authorship; 12. BWV; 13. Kiarostami; 14. Work In Progress; 15. Musical Works; 16. Derridean Trace; 17. Authorial Subjectivities; 18. Musical Ontology; 19. Strange Attractors; 20. Lydia Goehr; 21. Johann Georg Pisendel; 22. Basso Continuo; 23. Ontological Readings; 24. Gestural Dimension; 25. Ontological Turn; 26. thema EDItEUR::A The Arts::AB The arts: general topics; 27. thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology

Tóm tắt

While the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would such a re-examination of these regulative concepts be necessary? Could it emerge from a post-structuralist revision of the notion of musical textuality? In this book, Trillo takes the ...Bach... project, a collection of new music based on Johann Sebastian Bach's Partita No.1 for solo violin, BWV 1002, as a point of departure to sketch some critical answers to these fundamental questions, raise new ones, and explore their musicological implications.