Biến đổi nghề tranh dân gian làng Sình trong bối cảnh hiện nay.=Changing painting career in Sình village in the current context.

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Tác giả: Kỳ Dương Nhật Linh

Ngôn ngữ: vie

Ký hiệu phân loại:

Thông tin xuất bản: Tạp chí Nghiên cứu và Phát triển, 2020

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Bộ sưu tập: Metadata

ID: 473382

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In the context of an increasingly developing country, traditional folk values, especially the worship paintings, receive little attention while a lot of cultural values were imported. They penetrated into society today in many different ways and has left many good effects, but it is accompanied by many negative effects on the cultural life of Vietnamese people. Through researching sources, we found that although there are many research works on the paintings of Sình village, but almost only learn and introduce Sình paintings on the origin, content, meaning... but no works those who study deeply about the change of this profession in the present society, although this is a very urgent issue, need research to have a proper view of folklore in the current context. At any angle to consider the role of Sình village paintings, we must also admit that the process of existence and development of Sình village paintings is a confirmation of the folk art line of a land associated with the collective traditional beliefs, reflecting an inherent need of the ancient times and becoming close in a historical period of Đàng Trong. But perhaps the most remarkable thing is that Sình village paintings has typical characteristics for folk painting of a land, reflecting the religious needs of Thuận Hóa residents in particular and the Central in general.Trong bối cảnh đất nước ngày càng phát triển, những giá trị dân gian truyền thống, mà nhất là dòng tranh thờ cúng ít được chú trọng, thay vào đó là những giá trị văn hóa ngoại nhập. Nó thâm nhập vào xã hội ngày nay bằng nhiều cách khác nhau và đã để lại nhiều tác động tốt, nhưng đi kèm với đó là không ít những ảnh hưởng xấu đến đời sống văn hóa của người Việt. Qua nghiên cứu các nguồn tư liệu, chúng tôi nhận thấy tuy có nhiều công trình nghiên cứu về nghề tranh làng Sình nhưng hầu như chỉ tìm hiểu và giới thiệu tranh Sình về nguồn gốc, nội dung, ý nghĩa… mà chưa có công trình nào tìm hiểu, nghiên cứu sâu về sự biến đổi của nghề này trong xã hội hiện nay, mặc dù đây là một vấn đề hết sức cấp thiết, cần nghiên cứu để có cái nhìn đúng đắn về văn hóa dân gian trong bối cảnh hiện nay. Đứng ở góc độ nào để suy xét về vai trò của tranh làng Sình, chúng ta cũng phải thừa nhận rằng quá trình tồn tại, phát triển của tranh làng Sình là sự khẳng định dòng mỹ thuật dân gian của một vùng đất gắn với tập tục tín ngưỡng truyền thống, phản ánh một nhu cầu vốn có của thời xưa và trở nên thân thiết trong một thời kỳ lịch sử của xứ Đàng Trong. Nhưng có lẽ điều đáng nói nhất là tranh Sình đã mang lại những đặc trưng tiêu biểu cho tạo hình hội họa dân gian của một vùng đất, phản ánh nhu cầu tín ngưỡng của cư dân Thuận Hóa nói riêng và cả miền Trung nói chung.

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